Day 5: Typewriters of Wyoming (Continued)

Yesterday we started out in Laramie, WY and ended the day in Salt Lake City, UT.  My daughter and I decided to hit a couple antique malls in Laramie before leaving town. It’s a college town (University of Wyoming) and a pretty big city for Wyoming, so the typewriter prospects were good.

Bart’s Flea Market
2401 Soldier Springs Rd, Laramie, WY 82070

Bart’s is a huge standing flea market that occupies what looks like a former grocery store.

Well, this looks promising:

We were greeted at the door by a raccoon: Howdy, pardner!

There were about 50 separate booths, but among them all we could only find one typewriter:

Brother Select-O-Riter – $69.00

Huh. Well, onto the next antique mall:

SALS Antiques
1575 N 4th St, Ste 107,  Laramie, WY 82072

SALS was conveniently located next to a Goodwill. Looks like another old grocery store.

It was huge (almost as big as Bart’s) and packed with interesting stuff. But no typewriters. Not a single one.

The gentlemen at the counter seemed bemused when I asked about typewriters. They rarely got them and the big ones were hard to sell. He had an old black Underwood (very heavy) at home that was broken that he couldn’t sell. He wished he could sell it to me but he didn’t have it at the store.

Another gentleman in the store told me he had three typewriters, but they were in west Laramie and would I like to come see them? I thanked him and told him no, we were just passing through.

My daughter and I then walked next door to see if there was anything at Goodwill. There were no typewriters at Goodwill.

I took the opportunity to yell at some unsupervised kids who were playing in traffic in front of Goodwill. “YOU KIDS: GET OUT OF THE TRAFFIC,” I yelled. That was deeply satisfying. I could do that all day.

We hopped in the car and headed west.  See those snow covered peaks way off in the distance? Those are the Rocky Mountains.  That’s the only time we saw snow covered peaks all day.  Instead we ascended to high flattish-lumpy desert that got progressively more barren as we climbed.

photo: daughter Echevarria

Up, up, up we went and it became increasingly arid. Alkalai flats and sagebrush began to appear. We saw groups of pronghorn antelope.  Sadly no pictures of the pronghorn, but here are some desert horses hanging out.

photo: daughter Echevarria

Out of nowhere popped an oil refinery – like Gas Town in Mad Max.

photo: daughter Echevarria

I had mapped out a first stop at an antique store in Rawlins, WY.  It had a pretty little downtown, but many vacant shop fronts.

301 Plaza
420 W Cedar St, Rawlins, WY 82301
CLOSED

Sadly, our destination had gone out of business:

Back in the car.  Fortunately, I had thrift shops mapped out in Rock Springs, WY which is a largish town with a community college.

We were up at about 7,000-8,000 ft. We crossed the Continental Divide twice (long story)

Rock Springs was a bust in terms of typewriters: one thrift shop was closed and two others had no typewriters.  There were lots of empty store fronts in the historic downtown area.

Back on the road.

photo: daughter Echevarria

We couldn’t get a data connection on my phone to research thrifts and antique stores in towns further down the road.  Fortunately, my husband back in Virginia texted us a list of shops in a town called Evanston, WY, so we made a stop.

Some stores on the list were closed (either permanently or for the day), but we found one open:

NU2U Thrift Shop
221 10th St Ste 1, Evanston, Wyoming 82930

This thrift shop is housed in what was formerly the post office and court house:

It’s a grand old building, and it was a little jarring to see the racks and shelves jammed into the space.

The old building directory is still up:

There was one typewriter there – a gray and mustard combo:

Singer (rebranded Smith-Corona) electric – $20

Back in the car for our last bit of road to Salt Lake City, I thought about the typewriters I saw (and didn’t see) in Wyoming. I had hoped to find untapped troves of typewriters in wilds of Wyoming.  I saw just three: one in Cheyenne, one in Laramie, and one in Evanston. Was I looking in the wrong places?

More likely I saw few because they are few and far apart.  It’s a state with low population density – second lowest density state after Alaska with 6 residents per square mile.  Few people = few typewriters. And they’re all spread out. It may be that I actually did pretty good spotting three in Wyoming.

We made our way to Salt Lake City, UT descending the Wasatch mountains into the Great Basin.

photo: daughter Echevarria

This morning we’ll try our luck typewriter spotting in Salt Lake City.

Typewriters of Nebraska and Wyoming: the Fourth Day

We stayed the night in Grand Island, Nebraska.  Before leaving yesterday, we decided to check out an antique mall in town.

Railroad Towne Antique Mall
321 W 3rd St, Grand Island, NE 68801

It was packed with stuff – more than 50 vendors and some with multiple booths on three levels:

However, there was only one typewriter in the whole mall: an S-C Sterling with the margins pushed together so it wouldn’t type.  I fixed the margins and pondered the scarcity of typewriters.

S-C Sterling – $35

I worried that we might be approaching bare spots in terms of typewriter populations.

We hopped back in the car and set off down I-80 through beautiful rural Nebraska.

photo: daughter Echevarria

I had mapped out another antique mall to hit in North Platte, NE. After my experience in Grand Island, I kept my expectations reasonable.

North Platte has a beautiful historic downtown area. It was bit empty when we visited, but I feel like it’s on the edge of a renaissance.

Red Roof Antiques
304 E 5th St, North Platte, NE 69101

This was a huge antique mall, full of stuff.

Bingo!  Typewriters ahead!

SCM Coronet Electric – $45

I love the pretty red and cream accents on the Royal Quiet De Luxe below:

Royal QDL – $79.95

Corona Standard portable – $69.95

Brother Cassette Correct-O-Riter II – $12.95

I walked into a room in the back and saw a familiar case:

It was a Lettera 22 upside down in its case. It had one of those Krazy Karriages that don’t stop and go wheeee!  I thought to myself, “I need to take custody of this poor broken thing.”

Underwood-Olivetti Lettera 22 – $37.50

It wasn’t until I was paying for it that I noticed that it had a cursive typeface:

I was very happy after that.  I now have a project to play with in San Mateo.  It has a case, so it will be easy to bring on the plane as a carry-on when I return to Virginia.

Thank you, North Platte. That great grain elevator is formidable.

photo: daughter Echevarria

I found out after we left that North Platte is home to Union Pacific’s Bailey Yards, the largest railroad  yard in the world. Whatta town.

We got back in the car continued west on I-80.  Traveling through Nebraska, we hit a thunderstorm.  I eyed the skies nervously for funnel clouds.

photo: daughter Echevarria

photo: daughter Echevarria

photo: daughter Echevarria

Fortunately it was brief and we skirted the edge of a major storm.

As we approached the Nebraska/Wyoming border, the terrain changed and scrubby pine trees began to appear.

photo: daughter Echevarria

photo: daughter Echevarria

Once in Wyoming, we headed for Cheyenne where I had mapped out an antique mall.

Eclectic Elephant
112 W 18th St, Cheyenne, WY 82001

We were definitely headed west.

There were lots of vendors (40+) but unfortunately just one typewriter to be found:

Remington Noiseless portable – $45 – no case top

However, there was just a whole lot of everything else to be taken in:

This Indian maiden with raccoons occupies a special place in my heart:

Dudes: the 70s were a fertile time for facial hair

We checked out of Cheyenne as another storm was threatening to break out. There were tons of people in town and lots of pedestrians on the street. Cheyenne is a happening place.

Back on the road, the foothills of the Rockies began to make their presence known.

There they are…
photo: daughter Echevarria

They’re getting closer – look at those weird rock formations
photo: daughter Echevarria

Wow – we are really getting into the hills.
photo: daughter Echevarria

We beat the storm and made it to Laramie, WY where we stayed the night. Next up: Salt Lake City, UT.

Typewriters of Iowa and Nebraska: Day the Third

Yesterday we continued our drive through scenic Iowa.

photo: daughter Echevarria

The first stop I mapped out for the day was an antique mall in Des Moines, IA.

Brass Armadillo Antique Mall – Des Moines
701 NE 50th Ave, Des Moines, IA 50313

This was another of these huge spaces with a zillion vendor stalls. We combed the rows methodically.

Underwood standard – $60

This poor old Underwood 5 below was completely frozen with rust. The carriage and keys and everything were immobile.  It actually looks better in this picture than it was.   Could be a nice project machine.

Underwood 5 – $48.00

Sears Cutlass – $29

Royal 10 with a broken drawband – $84.99

Remington Rand KMC – $95

I got really excited when I saw the case below from afar.  I got up to it and it was empty.  It’s for a mimeograph machine (and the mimeograph was nowhere to be seen, just the case).

Rotary Neostyle No. 8-F Mimeograph – case only.

Underwood- $59

Toy typewriter – $15

I turned a corner and ran into this chipper fellow. He was at least 18 inches tall.  How I wanted to bring him home.

Facit store display – $225

Taped to his stand was a Facit button that said, “The future is Facit”.  No arguments here.

I did pick up this Facit button for $8.  I plan to wear this to fancy dress-up typewriter events though I will feel like a bit of a fraud.  I don’t own a Facit, and I have never even gotten to play with one.  Maybe somewhere between here and the SF Bay Area I will find a Facit. I hear that they are really nice.

We continued driving through Iowa and then I started seeing billboards for Walnut: Iowa’s Antique City.  Well, heck.  We can’t miss that.  I knew that we couldn’t stay long.  I am trying to stick to a schedule so that I am not driving when the sun gets low in the sky.  We are heading due west, and afternoon sun in the eyes is hard to take.

So we popped into this adorable little antique town in the middle of Iowa.

This seems like the place.

Between the two malls we popped into, we saw only one typewriter and two toy typewriters:

Very clean Remington Monarch – $120

Toy typewriter – $47

We really needed to make tracks, so we hit the road. I wish we had more time to explore more shops.

We hopped back into the car and headed to Nebraska.  Over the Missouri river we went and we crossed the state line.  Next stop: an antique mall in Lincoln, Nebraska:

Aardvark Antique Mall
5800 Arbor Rd, Lincoln, NE 68517

This was another of those enormous big box antique malls.  The lady at the counter said that there were 250 booths at this mall.

This totally makes sense in terms of supply chain dynamics: antique mall and self storage.

I feel like the typewriters at this antique mall need to branch out colorwise:

Brownish-grayish: Royal KHM – $59

Grayish – SC Super Speed – $49.95

Brownish-grayish: Royal HH – $40

Grayish-Tannish – Remington Standard – $19.99

Grayish: Royal KMG – $59.95

Honestly – I do not need to move those speckled cups and open that case because I know what’s in there: a tannish-grayish Sears Communicator.

Sears Communicator – $65

I just about kissed this S-C  Super Sterling when I saw it because it was definitely blue.

Definitely blue: SCM Super Sterling – $36

We took to the road again and arrived safely at our destination of Grand Island, Nebraska. We made it in before ferocious thunderstorms rolled through.

photo: daughter Echevarria

The drive has been very pleasant thanks to typewriter diversions, agreeable company, good weather, polite drivers, and light traffic.  These roads in Iowa and Nebraska run for miles in front of you. We are heading straight west.

Day 2: Typewriters of Indiana and Illinois

We started out yesterday morning in Ohio and made our way into Indiana.  I have never been in this state before, but Indiana is giving Ohio a run for its money in the municipal water storage tank game.

I had a couple antique malls mapped out in Elkhart, IN.

photo: daughter Echevarria

820 Antiques
820 N Ward St, Elkhart, IN 46516

Royal Companion used as a jewelry hanger.

Why not for sale?  Are you fattening it up for…

Oh. OK.

This calls for an Emmett Kelly Sad Clown.

Let’s cleanse our palates with some other typewriters:

A very clean and sweet S-C Sterling – $45

Underwood standard – $40

Here’s the complete package: fun and terrible and somehow impressive in what it can do.

Buddy-L Easy-Writer 220 with original box – $37

Read T. Munk’s funny blog post about an Easy-Writer 300 »

Pretty Smith-Corona Sterling – $45

Around the corner in Elkhart was another antique mall.

Antiques On Beardsley
816 W Beardsley Ave, Elkhart, IN 46514

This unassuming storefront was the face of an enormous 11,000K sq ft antique mall.

Royal KMG – $65

L.C. Smith No. 8 – $60

I loved this Adler Special and the graceful paddle of a carriage return lever, but it was out of my price range:

Adler Special – $250.00

You are special.

We hit the road again and survived the truck-infested waters of I-94 south of Chicago.

Fake you out: the truck in front of us was being towed; photo: daughter Echevarria

I breathed easier once we left the big city freeways behind and again entered the green farmland of Indiana and Illinois.

photo: daughter Echevarria

I had one more antique mall mapped out for the day in Geneseo, IL, a beautiful little town with two enormous windmills.

photo: daughter Echevarria

C & S Antique Mall
705 W Main St, Geneseo, IL 61254

Pretty little Remington portable in working condition – $39

Royal KMG – $38

S-C Super Speed – $59.95

And there were a couple toy typewriters, one with the original box:

$26

$29 with original box

We hopped back in the car, crossed the great Mississippi river and entered beautiful Iowa.

photo: daughter Echevarria

photo: daughter Echevarria

Typewriters of Maumee, Ohio

We set off yesterday in a rain storm and made our way through the misty mountains of Maryland and Pennsylvania.

It was a beautiful drive and we landed in the lush green farmlands of Ohio.  Ohio’s municipal water tank game cannot be beat.

I selected a hotel for our first night based on its proximity to two antique malls with late hours.   As soon as we checked into the hotel, we crossed the street and went to check out the first antique mall.

Great Finds in Maumee
1414 S Reynolds Rd, Maumee, OH

We found three typewriters there:

S-C Clipper with broken drawstring $65

Remington portable $115

S-C Classic 12 $95

And this gal.  She was hanging out with the typewriters

Wow

We then walked down the road to an enormous antique mall:

Maumee Antique Mall
1552 S Reynolds Rd, Maumee, OH

It was as big as a Target – really, a Super Target.  A gal who worked there said that there are over 200 vendors in the mall.

My daughter and I were a bit overwhelmed by all of it at first, but we broke it down scientifically and went through each row looking for typewriters. My daughter has a good eye and can spot a typewriter case a mile away, even when grouped with luggage.

We found these beauties:

Sears “The Communicator” – $8

S-C Sterling – $40

Royal KMM wide carriage – $64

Brother AX-24 – $10

I saw a couple without ribbon covers – it might be a contagious condition:

Adler J4 – $44

S-C Corsair: $19.99

A very dirty but very nice S-C Silent – $20

Remington Ten Forty with immobile keys – $69.50

Remington Noiseless – $50

Sears Celebrity – $49.99

Remington Model 17 –  $133

Towards the end of our hunting, we saw this row of typewriters:

Nice, clean Underwood for $65

Royal FP – $22.50

Remington Quiet-Riter – $22.50

Smith-Corona something – $22.50

The floral patterned case is such a lovely and refined touch. I can imagine typing at this typewriter in a peignoir, hair in hot rollers, smoking a Virginia Slims.

So that’s about it for typewriters.  We saw A LOT of other things at the Maumee Antique Mall.

I have always had a thing for these ginormous fork and spoon wall combos.  Too bad they won’t fit in the car.

So, that was Maumee, OH. I was hoping to find a Dayton typewriter in among the Hummel figurines, but no luck.  We will see what the next stop has to offer.

Typewriters across America

The Mission: to drive cross-country to deliver a car, a bunch of junk, and two occupants to California

The Secondary Mission: to document typewriters across the US

My Sweet Ride: 2012 Ford Focus with new tires

The Players: a middle aged mother and a teenager with a playlist full of Panic at the Disco

Ports of Call: Maumee, OH! Coralville, IA! Grand Island, NE! Laramie, WY! Salt Lake City, UT! Winnemucca, NV!

my sick set of wheels

My traveling typewriter will be the  Olivetti Lettera 22 – it’s in fine fettle.  I should swap out the ribbon before we leave.

I will begin documenting typewriters here, close to my starting point:

Hospice of Northern Virginia Thrift Store
Falls Church, Virginia

$10 – cartridge style Smith-Corona

I brought the blue Electra 120 home for $10.  It seems to work fine except the ribbon is a bit faint.

Falls Church Antique Annex
Falls Church, Virginia

Cute Remington portable $64 – in working condition

This lovely Dreyfuss Royal QDL is $120 in working condition. It has an interesting keyboard with umlat, circumflex, cedilla, tilde, accents grave and acute, and upside down question mark.  I wonder: is this for Catalan?

After getting briefly distracted by local typewriters, I then focused my attention on packing up junk for the trip and making sure that our ship is seaworthy.

Tales from the Typer recently documented the anxious sense of loss when cellular data is not available on a road trip.  I laughed and nodded, but made a mental note to pick up my TripTik at AAA.

Obviously I am leaving my days of young hip badassery behind and have entered full-on Chico’s territory. I got my AAA TripTik.

So we begin our travels. A journey of 42 hours begins with the slam of a car door.  Onward. I don’t know what we’ll see along the way.

We go until we reach our depot.

The Electric Slide

A couple weeks ago I worked on a Lettera 22 with a slippy and sliding carriage that would not catch.   In a weird coincidence, I came across another slippy and sliding carriage this week.

I was running errands on foot when I came across a neighborhood thrift store that I had never been in before.  I went into this teeny crowded thrift shop and saw a typewriter.

Not just one but two typewriters. Look!  Over there!

$10 for each.

I decided to take the Coronet since the paint on the Electra 120 wasn’t in great condition. The Electra is pretty cute (I have a thing for blue typewriters) and I might come back to play with it.

I tested the Coronet in the shop.  The lady at the register oohed and aahed over the pretty two-tone blue Coronet and said that even if it didn’t work, it would look cute on a shelf.

I plugged it in, turned it on, and it made a horrible sound that freaked out everyone in the store.  It began to type multiple letters spontaneously.

 

And the carriage slipped and wouldn’t catch, flying over to the left.

 

Cute, but messed up. I think the proper term is #cutebutpsychobutcute.

I have seen the haunted typer situation before, a Smith-Corona Electra 210 that repeatedly typed the number 5 when initially turned on.  When I saw the Coronet acting up at the thrift store I said, Oh! Oh! I think I know what’s wrong here.  I felt like Hermione Granger hopping in her seat and waving her hand when she knows the answer in class.

 

I figured the Coronet was worth $10 just for the fun.  I felt confident that I could fix the haunted typing issue and had a pretty good idea of what might be wrong with the carriage that wouldn’t catch.

I took it home, removed the bottom plate (two screws) and blew out the dust and dirt in the guts.

I confess that I am not 100% comfortable with most electric typewriters, but this Coronet looks just like a manual typewriter with a small motor. It even has a manual carriage return, so no complicated carriage return clutch to deal with.

I immediately saw a problem area in the levers and linkages under the keys:

These linkages and levers should all be standing at a attention in a row like little soldiers.  That group in the middle was all wonky.  Testing them with my finger I found them to be stiff and gummy, so I cleaned carefully with mineral spirits and manually worked them with my fingers to free them up.  I went through the whole row of linkages and levers and cleaned and tested each with my fingers.

From the top, on the keyboard, the letter “B” was immobile.  I was not able to depress it.  I found its linkage underneath and cleaned and cleaned and eventually it came free.

I flipped the machine over and hurray, no more haunted typing.

I then turned my attention to the slippy and sliding carriage that wouldn’t “catch”.  The Lettera 22 I brought home recently had a similar sliding  carriage problem which was solved by cleaning of the escapement area. The Lettera 22’s escapement is either buried or weird looking because I didn’t immediately spot anything familiar.  I simply cleaned and lubricated in an area where an escapement *might* be and hoped for the best.  Fortunately it fixed the sliding carriage right off the bat.

The escapement on this Smith-Corona is very accessible.  It makes cleaning so easy.  I doused the area with mineral spirits and worked the parts with my fingers.  I checked the carriage.  Still not catching.

I then doused the area with PB B’laster and followed up with denatured alcohol.  Nope, no luck.  The carriage was still sliding.

Hmmm.  I needed to bring in the big guns, so I downloaded Ted Munk’s Smith Corona 6 & 8 Series Electric & Cartridge Ribbon Typewriter Repair Manual:

He has archived a whole collection of typewriter repair manuals at TWDB Operation OOPRAP.

I figured that it was an escapement problem since that’s what most internet resources point to when a carriage is wayward.

I read through the troubleshooting section of the manual and wondered if the escapement pinion gear was meshing properly with the rack.  I couldn’t see very well and decided to pop out the platen.  Fortunately, Joe Van Cleave has a great video on a manual Galaxy 12 (a non-electric twin of my two-tone Coronet) and at around the 10:02 minute mark, Joe describes how to pop out the platen.  So easy!

So I popped out the platen. This is going to make cleaning the hardened Wite-Out off the platen and plastic guides a lot easier too.

I peered under the carriage. There was more light with the platen out. The pinion and the rack seemed to meshing just fine. Back to the escapement in the underbelly.

In the repair manual, I read through the section on the escapement and pondered these sentences.

Well, Spring H was not urging anything.  Spring H was doing NOTHING because the rachet dog (?) was glued solidly to the escapement rocker(?).

I took a screw driver and very carefully pushed on the rachet dog.  It was so gummy and stuck.  I doctored it with mineral spirits and pushed carefully until it moved freely and finally Spring H began to urge. The carriage caught.

Flipping it over, I plugged it in, turned it on, and began to type. Yes, I know what you are thinking: I rule. 10 Points for Gryffindor.

 

The moral of this story: sometimes you have to figure out how something works so that you clean in an effective way.

What a nice little typewriter!  I need to finish cleaning the shell and the type slugs.  The carriage return lever is bent down and just lightly scrapes the top of the ribbon cover.  I found the typewriter upside down in its case at the thrift store, so I can see how the lever could get mashed down.  I will need to carefully bend the return lever up a bit before it starts getting scratches on the ribbon cover.

It’s a sweet little thing and types just beautifully.  It’s not very noisy at all.  I am sure that I will be able to find a good home for it. Now I am thinking about the one I left behind at the thrift store, the Electra 120:

Lettera Send Off + Lettera Tune Up

The blue 1960 Craigslist Lettera is a pretty happy typewriter now.  It types nicely,  very respectably.  Cosmetically, though, it’s still in rough shape.  I’d like to issue a formal apology to all birds – especially pigeons.  What appeared to be bird poop on the Craigslist Lettera is probably oxidation (Bill M and T. Munk pointed that out in the post comments).  And that stuff does not come off.  The Lettera still looks like this:

Continue reading

Southern States

This past fall, our family landed south of the Mason-Dixon line in the Old Dominion, the U.S. Commonwealth of Virginia (hey, I think I can go to Herman’s this year!)  Typewriter-wise, I brought my little portables with me and left the big standards in California.  I will be back and forth between east and west for the time being.

It’s been a while – a helluva year. My daily WTF meter broke just six months into 2017 because of overuse.  The constant churn of events exhausted the poor thing and several of the gear teeth wore down and just broke off. I am debating whether I should take it apart and fix it. Do I really even need one?  In any case, I checked out of the internet and the typosphere for a while. Like Francis Weed, I have taken up woodworking as distraction and therapy.

New on the shelf

The eagle has landed: classing up the new Virginia neighborhood with a debris box and a rat-branded moving container.

End of an Era

Back in California, Moe from Mozo’s Antique Search and Rescue closed down her San Mateo location and sold her building.

I get a bit choked up about it , remembering the good old days of Moe and Roia and all the fun typewriters:

I wish I had that wrestlers poster

Before she left, Moe gave me this wonderful print which is currently hanging my bathroom in Virginia:

This is a picture of the Underwood exhibit at the 1915 Panama-Pacific International Exposition (PPIE) which was held in San Francisco. The exhibit featured a 14-ton functional Underwood 5 typewriter.  ETCetera  – Journal of the Early Typewriter Collectors’ Association had a good article in its Spring 2018 issue by Peter Weil about typewriters at the Louisiana Purchase Exposition and the PPIE.

In addition, the Shop at Flywheel Press closed its doors – I met so many beautiful typewriters there.

Like the passing of the elves from Middle Earth, it’s the end of an era.

Robust Update

The Olympia Robust has settled into her new gig at the Holocaust Museum in Richmond, Virginia. She rotates into the Dachau exhibit in the role of camp typewriter.  She was featured in the June 2017 issue of the Virginia Holocaust Museum Newsletter, De Malyene. The museum is a good place for the Robust right now.

Just when I thought I was out…they pull me back in

After a year-long dry spell, I worked on three typewriters in the past week and found myself experiencing the pleasant, familiar sense of rightness and orderliness that typewriter cleaning brings me.

I was in Portland, OR last week doing family stuff. My sister showed up in town with a 1953 Remington Quiet-Riter that she had found in an antique shop in Columbia, TN. She wanted to get it typing and bring it to her neighborhood block party in Chicago this summer.

It was not typing – the typebars were gummed and rusted down. We got in trouble with my brother when he found us surreptitiously cleaning it on his kitchen floor, and we were banished to his garage workshop – which wasn’t a bad place for typewriter repair.  It was stocked with solvents and a good radio tuned to KGON.

After a good internal cleaning and new ribbon, the Quiet-Riter was typing very nicely.  The exterior is pocked with dots of rust, but it’s a happy typewriter on the inside.

I had to do some long-distance typewriter troubleshooting with my sister via text yesterday morning:

It turns out that her spools were not seated properly after she had fiddled with the ribbon – all fixed now.

I left Portland last week and headed to the SF Bay Area.  I had burritos with another of my sisters in San Francisco and afterwards her daughter pulled out her non-functional typewriter.  It had belonged to my niece’s grandfather.

What a weird Royal! This 1957 Royal Administrator was made in Mannheim, Germany. It is very similar to a Royal Diana except that it has a wide carriage.

The machine had been carefully stored (had the original case and dust cover), but the grease had congealed and stiffened and the Magic Margin, carriage, and typebars were not moving much. I took the typewriter home to San Mateo and cleaned the internal mechanics with mineral spirits.

Once it was clean, I enjoyed its crisp, precise typing.  It was pretty clanky sounding – perhaps the lack of insulation in the ribbon cover had something to do with the noise.  The forward-tilting lid is very appealing.

More pictures of the Royal Administrator are at Typewriter Database.

After finishing with the Administrator, I pulled out another typewriter, a 1957 Olympia SM3, from my front closet:

I had picked this up at Goodwill at the end of last summer when I was dropping off a huge load of old clothes and household items.

How could I resist?

Though there is corrosion on the case, the typewriter itself is pristine.  I imagine that someone received this Olympia as a birthday present, used it a couple times, and tucked it away in its case where it sat for 61 years.  In addition to the user manual, the original German-language factory inspection report was still in the case:

These two 1957 West German typewriters are a nice pair:

Southern States

I am back in Virginia for the time being, enjoying the  strange, wet, tropical summer and its attendant thunderstorms. The weather here is badass.

Here’s a pretty picture from Virginia to end my post.  My son took it last summer in Richmond, VA near where the Olympia Robust currently resides.

 

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The Leprechaun: a Wee O’Lympia SM4

I looked at the calendar today and good gravy, it’s almost St. Patrick’s Day!  The wheel in the sky keeps on turnin’ – I don’t know where I’ll be tomorrow.

I recently brought home a wee leprechaun, a green Olympia SM4.  It’s one of Moe’s.  Per Moe: it is broken and not typing and could I fix it for her friend’s daughter?

I brought the Olympia home and sat it on the kitchen counter work bench.

This SM4 looks just like an Olympia SM3 – the difference is the tab setting and clearing keys on either side of the space bar:

Random question of the day: what happened to the Olympia SM6?  Did it ever exist? If not, why did Olympia skip from SM5 to SM7?  Is it sort of a Windows 9 situation?

Back to business. Here’s the broken typewriter that doesn’t type:

From the Wisdom of Blender:

If the typewriter types not, check ye the stencil setting.

Broken:

Fixed:

Its only other problem was that the tab “set” key next to the spacebar was depressed and nonfunctional.

I pondered this a bit and considered investigating around back to figure out why the tabbing mechanism wasn’t getting triggered.  I thought the better of it since this wasn’t my typewriter and lack of tabs wasn’t going to impair its functionality in a deal-breaking way. I am sort of “Meh” on tabs anyway – to me they are not mission-critical.  If I were typing spreadsheets, I’d be helpless without tabs, but this Olympia here will probably spend the rest of its life typing love letters and thank you notes.

I actually have a reference manual on hand: The Olympia SM 1,2,3,4,5, and 7 Typewriter Repair Bible.

This is holy writ compiled by Rev. T. Munk and recently published.  He has a whole slew of repair manuals including The Manual Typewriter Repair Bible.

A couple of them have arrived at my house:

I’ve already gotten the Olympia manual all dirty.

These are spiral bound and lay flat while I am working. I like that.

They are a compilation of repair, adjustments, parts and tools manuals as well as odds and ends like this:

Maybe I should get an asbestos board for the kitchen counter.

I particularly love the manuals’ type and special characters sections. Here’s a pleasantly confusing mashup typeface I’d like to own:

I also want to find a typewriter with a Volkswagen symbol and horsepower symbol (who knew it looked just like the Hewlett-Packard’s logo?):

Spring has sprung.  I took the wee green sprite out in the garden:

Though it doesn’t get very cold here in California, there is a definite change in the air here when spring hits.  I found a beautiful old Irish poem about spring ( “errach”) from the Book of Leinster, and in honor of St. Paddy’s Day, the Olympia typed it out. My Middle Irish is a bit rusty, but I do like this translation.

I imagine that this is how someone in 12th century Ireland (or Buffalo) would experience the transition of winter to spring.

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Brick House

I have been on the road a lot this winter and when I got back in town, I trekked over to Mozo’s.  Moe had a typewriter with problems that needed attention.

underwood

This one had been sitting in Moe’s shop since the summer.  A lady had bought it recently and she wondered if I could get it to work. The big piece of tape over the “erwoo” of the decal really bothered me. The decal was in terrible shape, but the tape made it worse.

I never get tired of these old Underwoods – built like a brick house.  They’re heavy-duty beauties.  This typewriter was an Underwood 6, very similar to the Underwood 5s that I have worked on.

The problem with this Underwood was that the carriage tipped from side to side and would get stuck in strange and screechy positions.  Perhaps a loose or missing screw or two?

I brought the Underwood home and introduced it to Blender on my kitchen counter work bench.

I played around with it and discovered what was stopping the carriage.

arm

That little arm with a hole in it was hitting the frame.

Thank heavens for Typewriter Database and the detail photography that members submit.  John M.’s Underwood 6 had a closeup of the area where the little arm hung and I was able to figure out the little arm fit into a screw pin on the side.

twdb

The carriage was very loose and appeared not to be seated properly.  I wiggled it bit from side to side and the whole darn thing popped up and out.  Well, hell. I didn’t mean to do that, but there you are.

carriageoff

Note Blender’s barely concealed schadenfreude.

The upside was that with the carriage removed, I could clean the internal mechanics carefully and examine the pin area.

cleaning

There are two springy arms on either side of the carriage that I was having problems understanding.

springarm

Fortunately, I remembered a YouTube video of a guy tearing apart an old Underwood, so I got a bowl of cereal and sat down to watch.

Some members of our community may be horrified by the joyful abandon with which Dusty Guy dismantles this typewriter. However, his video series on the Underwood is full of useful details. After watching this video, I understood the springy arms and how the carriage sits on them.

Once everything was cleaned up inside, I attempted to get the carriage back on. I had to temporarily take out the motion blocks on both sides so that I could get the carriage back in and seated properly.

motionblocks

I had to dismantle the right carriage release to get the little arm back in the pin screw.

armrepair

After the little arm was re-secured with the pin screw, the carriage did not wobble like it had.

I threw in a test ribbon and took a deep breath.

Yes, it was typing. But weirdly. Looks like bichrome mixing colors and…all caps.

allcaps

I haven’t had personal experience with one of these telegraph typewriters.  Here is an interesting article on the Cambridge Typewriters blog about an Underwood #3 telegraph typewriter.  I read ETCetera magazine’s June 2013 article by Peter Weil, “Ephemera” about typewriters and telegraphs. He writes:

The term “mill’ is used to describe a typewriter that is used to create typed messages for the purpose of entering the message into a telegraph system or to convert a message received telegraphically into a typed hard copy message.

typeslugs

02

The typewriter has a degree character as well as a “Do” character.  A commenter on my blog said:

‘Do’ is short for ditto, now most often represented by a double-quote. Used most often in columns of dates that repeat.

Also of note, Mark. P’s Western Union Underwood has this date, “Aug 18, 1903”, stamped into the typebar rest – and so does mine:

1903

And there is a Reddit poster who noted the same thing on his Underwood 5 Mill.

Do all old Underwoods have “Aug 18 1903” stamped at the end of the typebar rest – or just these telegraph typewriters?

Well, what a neat surprise.

surprise

I took the Underwood 6 back to Moe’s shop with care and feeding directions attached.

img_6186

Moe asked me to work on an Underwood 5 she just got, but I told her that there was another typewriter I needed to work on before I could start the Underwood 5.

You see, I did a service check at The Shop at Flywheel Press last week.  They were having their annual Valentine’s Day Love on the Run community event the next day where they bring out typewriters for people to write love letters on.  All the typewriters needed to be in tip-top shape for the event. I went through each, re-threading ribbons, unlatching carriage locks and disabling stencil settings.  They were all in very good shape despite constant use at kid camps.

theshop

Jenn at the shop showed me a new acquisition that she had found in a garage.  Oh my goodness.

selectric

It powers on but doesn’t type.  I wonder if everything is there.

selectricinterior

I have always wanted to try my hand at a Selectric, and now this has fallen out of the sky. Charmed life. Now that I am finished with the Underwood 6 mill typewriter, I am going to play with this Selectric a little. I hope I can get it to run a bit.

Valentine’s Day was yesterday, so I leave you with a tender love song from the Underwood 6:

brickhouse

 

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The Really Big Typewriter and a Send Off

My blog has been on hiatus for the last few months while my family makes a slow-motion cross-country move to Northern Virginia. I am focused like a laser beam on tasks related to the move and new house and have been trying to avoid distractions and temptations (typewriters).

The Virginia house is a lot like a really big typewriter.   It has lots of moving parts and I am learning something new each and every day.

expansiontank

wires

heatpump

I have been shuttling back and forth between California and Virginia for the past three months, working on the Virginia house. I really don’t want to be That Lady, but there are some updates and modifications we’d like to make before we bring in our familiar junk and make ourselves at home.  I am home-making.

The Virginia house is full of period details from the 1990s that I am trying to tone down: acres of high-gloss honey oak and brass accents.  This enormous ceiling fan that came with the house is mesmerizing.  It’s like a rare plant of the Amazon that blooms once every hundred years and emits a corpse-like scent. It’s so weird, it may need to stay.

fan

So I am out here in Virginia, trying make this house home-ly for our family – a comfortable setting for all our weird junk.  My skills are limited to demolition, insulation hanging and painting.  I like to paint and my favorite medium is rattle-can Rust-Oleum:

shutters

demo

I am trying to make two rooms out of one. Sometimes I feel like Gob Bluth: “I’ve made a huge mistake.”

The Olympia Robust joined me on this trip as a carry-on and kept me company in the garage while the floors were being refinished.

garage

Fire extinguisher at the ready in case the Robust overheats

The Robust appears to have spent some time rethinking the past.  It seems to have experienced some sort of spiritual conversion:

henry_james_quote

robust

We are all on a journey, and our paths often lead to unplanned destinations.  Yesterday the Robust journeyed to Richmond, VA where it will be rotated into exhibits at the Virginia Holocaust Museum.

I drove down to Richmond, VA with the Olympia Robust as co-pilot.  I have not been there in 30 years and was amazed at the city’s funky transformation.

mural1

mural2

This is a window box at the Poe Museum featuring my favorite type of bird, a corvid:

windowbox

The Virginia Holocaust Museum is located near the waterfront in an old part of town:

vhm

Weirdly (and I didn’t plan this) I dropped off the Robust at the museum on International Holocaust Remembrance Day which takes place on January 27—the anniversary of the liberation of Auschwitz-Birkenau.

I met with the museum’s Assistant Curator, Angela, and we brought the Robust to the  museum’s collections workspace where it will be processed.  I filled out the paperwork and kissed the Robust fondly goodbye.

olympiarobust

After the drop-off, I met my son and his girlfriend for lunch and reminisced about the good times with the Robust and celebrated the fact that the typewriter was now in a good place.

I drove back to Northern Virginia and sang loudly to the radio.

Farewell, re-born Robust!  Before we parted and the Robust embarked on its new life, it typed out this:

anne_frank_quote

 

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The Royal Happy Halloween (HH)

It’s October and here in the US that means Halloween. I’m not much for the scary, gory stuff, but I do like a cheerful jack-o-lantern or two. And I like all the candy that I steal from my daughter’s trick-or-treat bag.

My neighbor’s Pac-Man ghosts are pretty swell.

pacman

And now as the leaves have started to fall, Moe from Mozo’s gave me a call. A friend of Moe’s had a Royal HH that needed a look-see. I brought the HH home and took it out to the back patio to investigate.

1952 Royal HH
HHE-4815786

royal-hh

By serial number this typewriter is from 1952 – the first year the Royal HH was manufactured. The serial number is under the carriage on the right side.  You can see it if you pull the carriage way, way over to the left:

royal-hh-serial-number

It wasn’t too bad: a little gummy, a little dirty on the inside. Its worst problem was that it was cursed with one of those awful black and white correctable ribbons. The horror!

correcting-ribbon

The first thing I did was cut that thing out. So much better:

mess

I blew the inside out carefully with my Datavac Duster:

duster

Despite being a nondescript muddy gray, this HH has wonderful style – the lines are very appealing.

I assembled my supplies for cleaning:

supplies

  • Old rags
  • Mineral spirits in a jar for scrubbing the slugs and segment
  • Soft Scrub for cleaning the platen
  • Goo Gone for cleaning the key tops
  • a stiff tooth brush for slug scrubbing
  • a paint brush for applying mineral spirits
  • Q-tips to cleaning sticky eraser crumbs and gunk
  • a bamboo skewer for getting into tight spots
  • a fresh ribbon to rewind onto the old spools

After draping the shell carefully with rags, I scrubbed the type slugs and segment with mineral spirits.  After a first cleaning pass, the typebars were all swinging easily.

I then wiped out the eraser crumbs, gunky fluff, and correcting tape dandruff with a lightly damp rag and Q-tips. I vigorously scrubbed the platen with Soft Scrub to remove embedded white of the correcting tape.

soft-scrub

The keytops had the frost often seen on Royals of this vintage. A lot of people call it mold or fungus, but I think it’s a chemical precipitate that affects plastics of the era. That sounds xtra-science-y.

key-tops

margic-margin

I wiped the key tops down with Goo Gone and the white coating came off.

keytops

margic-margin-2

The old metal spools are the distinctive Royal style.  I wound new red and black ribbon onto the old spools and tested.

soft-margin-royal-hh

Lovely! When I first started typing, the left margin was a little “soft”, returning irregularly to the left. I find that Royals often exhibit this behavior.  Fortunately, the erratic left margin seemed to work itself out with exercise.

The Royal HH has a “carriage control” knob.  Here is the description of carriage control from the Royal HH manual:

royal-hh-carriage-control

I played with it, turning it up and down and felt no difference. Perhaps the machine needed more cleaning to appreciate the subtleties of the control.

T. Munk posted recently about a similar feature on Royal portables of the early 50s.

Moving on, here’s a picture of Herb Caen, a well-known San Francisco columnist who swore by his “Loyal Royal”.

San Francisco Chronicle newspaper columnist Herb Caen in his office at 901 Mission Street in San Francisco May 1994. Photograph by Nancy Wong

San Francisco Chronicle newspaper columnist Herb Caen in his office at 901 Mission Street in San Francisco May 1994. Photograph by Nancy Wong (Own work) [CC BY-SA 4.0], via Wikimedia Commons

It’s hard to say whether the HH pictured above was his favorite – apparently he had four “Loyal Royals” including the Royal FP below.  Really, Herb, what a player!

"Loyal Royal," typewriter of Herb Caen, longstanding columnist of the San Francisco Chronicle, on display in the lobby of the Chronicle Building on 5th Street in San Francisco, CA

“Loyal Royal,” typewriter of Herb Caen, longstanding columnist of the San Francisco Chronicle, on display in the lobby of the Chronicle Building on 5th Street in San Francisco, CA. By Uyvsdi (Own work) [Public domain or Public domain], via Wikimedia Commons

This HH is a serious typist’s typewriter.  It’s got a palm tabulator:

08

If this HH had had a dirtier shell, I would have pulled out the Scrubbing Bubbles and a tooth brush and cleaned the crinkle paint exterior.  However, the HH was pretty clean to start with.  I only needed to wipe down the outside with a damp cloth. Here she is, sitting pretty on my front bench.

royal-hh-2

I am going to call this model a Royal Happy Halloween from now on. I have heard tell that the Royal HH was named for Henry Hart who patented the Magic Margin for Royal in 1938. HH could also stand for Hello Handsome, Head Honcho, Heigh Ho, Hip Hop, Holy Hell, Happy Hunting and more.  Happy Halloween seems appropriate for this time of year.

pumpkin-royal-hh

I took the Royal HH back to Moe’s with care and feeding instructions. I am sure that the lady who owns it will now be able to hammer out The Great American Novel.  What a sweet machine.

Postscript

I got an email from Jenn at the Shop at Flywheel Press and she just got a new typewriter for the Shop. It had belonged to a friend who moved to Hawaii and couldn’t afford to bring the typewriter along, so she gave it to Jenn.  It wasn’t typing and Jenn thought maybe it had a carriage lock engaged. I went over to scope out the situation.

When I arrived at the Shop, Jenn was conducting a kids camp.  I could hear the happy tappity-tap of typewriters as I walked in.  Heart-warming!

shophh

Here’s the new girl. Really, another HH! I call this one a Royal Hardly Hawaiian (since it didn’t make it off the mainland).

After poking at it a minute or two, I determined that the margins had been set close together so the carriage couldn’t move.  Damn you and your mysterious hidden workings, Magic Margin!

I got the margins in order and strung a new ribbon on her, and soon she was typing away happily.  I’ll be back to give her a good clean and enter her into TWDB.

I strolled around the Shop and checked the other typewriters. One or two had ribbon issues which were soon remedied, but all were typing.  My cheesy fixes like the duct-tape clevis repair and the paperclip spool spindle ARE STILL FINE despite all the little kids hammering on these typewriters.

Looking good, ladies. Til next we meet.

shoptypers

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Pleasing Symmetry

The Olympia Robust had been on my mind ever since it first arrived at Moe’s shop. I took some photographs of it in situ for Typewriter Database:

left

Deer antler, tramp art, oil lamp, Jesus, stuffed pheasant…Olympia Robust.

main2

It bothered me to leave the typewriter at Moe’s shop. Not only was it at risk of getting damaged, but I worried it may be collected for weird reasons. The more I ruminated on it, the more convinced I became that the typewriter should not go to a private collector.

So I took it into protective custody and brought it to my place for the time being. Moe was relieved about that.  She was worried about it getting stepped on.

I am offering temporary shelter to the Olympia Robust – it can’t stay in my home too long.  I’m concerned that it might catch what the Praxis has.

dsc05475

I went in search of a permanent home for the Robust.  The internet did not disappoint.  After a little digging, I found a Holocaust museum in Richmond, Virginia that was requesting donations of objects from the period.

vhm

What I liked about this museum:

  • extensive community education program
  • open 7 days a week
  • FREE admission
  • great Yelp reviews

I got in touch with Tim, the director of collections at the Virginia Holocaust Museum. He and the assistant curator agreed that the Olympia Robust would be a good addition to the collection for rotation into the exhibits.

As part of the museum’s collection, the Olympia Robust will be available to anyone who may want to examine it (typewriter types, history buffs, ordinary curious people).  Tim says that the museum is developing a searchable online archive of objects in their collection that the Robust will become a part of.

I’m flying out to the DC area in December and will take the Robust as carry-on luggage. Once in DC, I plan to drive the typewriter down to Richmond for the hand-off.

This turned out really well. This particular typewriter’s story has a pleasing narrative symmetry – or at least a very satisfying balance in beginning and end. While I don’t think inanimate objects can experience karmic retribution, the sprinkling of poetic justice and side of situational irony gives me a chuckle.  This typewriter, made in its past life for the SS, will now be used as a tool for education and as prevention against future atrocity. It really does make me laugh (righteously, of course).

dsc05477

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