House Call

A little over a week ago, I went down to The Shop at Flywheel Press to drop off the cleaned-up Underwood Jewell and to work on typewriters that needed maintenance before the big Love on the Run Valentine’s Day event.

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I brought along a little repair kit with tools, mineral spirits and new ribbons. The ten or so typewriters at the Shop were in “sort of” functional condition. There were a lot of sticky keys. There were some unresponsive keys due to popped linkages. Many of the typewriters needed new ribbons. I brought red and black ribbons that I order in bulk from Oregon.

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The Underwood Jewell is back in the harness

There was a SCM Galaxie that was missing a couple key tops. I made some temporary key tops for it so that fingers wouldn’t get stabbed during the Love on the Run event. I used synthetic cork – natural cork was a bit too crumbly.

I cut to the right size and shape with an utility knife:

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I bet you can’t tell which two are replacements 🙂

These were temporary for the Valentine’s event. I bought some SCM key tops on eBay and swapped them out. They are a little yellow, but they look better than the cork.

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Does anyone need a replacement SCM-style key top?  I have lots left over, so let me know.

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The Curse of the Clevis

I believe that the y-shaped linkage that attaches to the individual typebars is called a clevis.  I had seen snapped clevises before on a SCM Galaxie with a cemented segment at Moe’s shop. A couple linkages had popped off because the typebars were immobilized in the segment, possible victims of WD-40 syndrome. Once the typebars were freed with cleaning, I was able to re-attach the linkage (with some difficulty).

This is what I am calling a clevis linkage:

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This is how a clevis linkage should attach to a typebar:

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Four out of the five Smith-Corona typewriters at the Shop had one or more snapped typebar linkages. I worked on a Pennecrest Concord (a re-badged S-C), two SCM Galaxies, and a Smith-Corona Sterling. I got most of them re-attached before the Love on the Run event.

This Reddit thread has some good advice for re-attachment of popped linkages: take a small, thin screwdriver and insert it into the “Y” of the clevis.  Turn the screwdriver to open the “Y” and move the linkage into position near the hole at the base of the typebar. Get the linkage into position and then rotate your screwdriver so that the “Y’ flattens and the linkage snaps to the typebar. I found it easiest to work from beneath the typewriter for linkages at the bottom of the segment( e.g. “G”) and from above for linkages nearer the top (e.g. “A”)

The Case of the Cloven Clevis

After I re-attached the snapped linkages, I saw that the “M” key on a SCM Galaxie had a broken clevis – it was missing half of the “Y”. What to do?

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I think a thin piece of metal and some duct tape are in order. Stay with me here.

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I cut the stainless tie strapping to a piece about an inch long.  Using a nail, I punched a hole in the end.

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I then attached it to the broken clevis with duct tape.

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This is probably the worst looking repair of my short career, but it’s working and the letter “M” types again.  It will get a full workout from kids at camps and classes, so we will see how this holds out over time.

The Love on the Run event at Flywheel Press was a great success:

My daughter and I stopped in at the event. There was a pleasantly diverse crowd of old and young – little tiny kids, college-types, parental-types, retired folks.  It was so gratifying to walk in and see someone typing out love notes on the Underwood Jewell.

My daughter found herself attracted to a script Olivetti Lettera 32.  She typed out a love letter in Cat language:

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Jewell in the Rough

Some time ago, I heard through the grapevine that there was a neighborhood community art space that had a lot of typewriters.  Of course I had to check it out.

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Jenn and Amber run The Shop at Flywheel Press, a “locally cultivated community art and design center”. I went down to the shop sometime before Christmas and – whoa – they had typewriters!

There were about ten typewriters scattered throughout the space. The Shop uses them for camps and classes and events.  These typewriters are working girls – no shelf queens, no display divas.

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Well, there is one display diva:

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Remington Porto-Rite

The Shop at Flywheel Press also has printing presses:

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I need to know these people.

I chatted briefly with Jenn, one of the proprietors, and mentioned that I was a typewriter hobbyist who enjoyed tinkering with typewriters.  I left contact info as well as my blog address in case they needed help with their typewriters.

Last week, Jenn left a comment in a recent blog post – was I still interested in helping them with their typewriters?  They were having a Love on the Run Valentine’s Day event and were hoping to have operational typewriters that attendees could use to type love letters on.

I went right over and checked out the typewriters.  Most were in a less-than-completely-functional state. Dry ribbons, no ribbons, sticky keys, missing key tops, broken-ish.  They needed some attention before they could work their Valentine’s Day event.

One particularly sad specimen that caught my eye was a 1954 Underwood Jewell.  Jenn said that a painter had found it in an empty house that he was painting and had given it to the shop.  Paint-splattered and gummy, it called to me.  I asked it I could take it home and try to clean it up.  Jenn agreed.

I brought the Underwood Jewell home to my kitchen counter operating room and started scrubbing first with water.  Then I tried Dawn dish detergent and water.  Then I tried Scrubbing Bubbles. No luck. The paint splatters weren’t going anywhere.

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The blender looks on with grim satisfaction.  Why the schadenfreude, Blender?

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I didn’t want to do it, but I pulled out the rubbing compound.

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It’s a fine abrasive and will take the paint off. I applied the rubbing compound and rubbed and rubbed – the paint splatters started to fade.

If the typewriter belonged to me, I would have continued with the rubbing compound despite the fact that with repeated rubbing, it will slightly flatten the crinkle paint texture.  It wasn’t mine, so I got it to a “respectably splattered” condition and stopped.

1954 Underwood Jewell Portable
Serial Number : W2557296

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Why is Jewell misspelled?

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Crazy Eights

This weird “8” with the rakish little curl is funny.  Many Underwoods of the 1930s through the 1960s have this “8”.  Other brands don’t have this “8”, do they?

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This is her good side:

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Going by what I see in Typewriter Database, it looks like this style Underwood metal badge was used in 1953, 1954 and 1955. Best badge ever:

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Correction: Bill M.’s Underwood Ace has the best Underwood insignia ever.  His badge says “Speeds the World’s Business” around the globe of the insignia. Check out his blog header.

This Underwood Jewell types rough. Several of the typebars were bent and catching in the type guide.  I straightened them out using a light hand.

There doesn’t seem to be any sound insulation in the machine – it has a rough, clattering sound and feel. Did it ever have insulation?  So, so cool looking, but the typing experience is so loud and distressing.  I will cut this typewriter some slack because it has obviously lived a very tough life and been through great hardship.

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I returned the Underwood Jewell to The Shop at Flywheel Press and started working on the other typewriters….there was so much to be done before the Love on the Run event.

To be continued…

Adventure in Style: S-C Clipper

I brought home a stylish little Smith-Corona Clipper from Moe’s shop for a some R&R at my typewriter spa. It wasn’t too dirty. I took it outside and blew out the dust bunnies.

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By serial number (4C135275), it looks like a 1946 Clipper:

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In addition to the usual complaints (dry ribbon, grime, dust, sticky keys), the typewriter had some rotated keys – the worst being the letter “E” and the letter “N”.

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I read on Reddit that I could rotate the key tops back into proper position by using my finger or an eraser.  My finger didn’t work, but I found that by pressing down firmly with a good eraser, I was able to rotate the key tops back into position. It was slow going, but the key rotated a tiny bit at a time into place. Though my photo doesn’t show it, I supported the key top from below with my fingers.

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So much better:

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This took some time – it moved very slowly into correct position

The typewriter also had a very strong moldy smell.  Much of it came from the case which had mildew spots inside.  I wiped it down with soap and water and put it outside to dry in the sun – this helped a lot.

Under the hood of the machine, I found that the typewriter ribbon itself was very fusty.  Out with the old and in with the new ribbon.  That made a big difference. I found that the felt insulation under the ribbon cover still had a slightly musty smell, so I sprayed a little Febreze air freshener on it.  That seemed only to mask the odor. Upshot: changing the ribbon was key to a better smelling machine.

Speedline Style

Cleaned up, this typewriter is quite a looker. This machine has beautiful Speedline curves and stylish glossy band around the base.

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Look at that elegant profile:

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History Time

So what is the story behind the S-C Clipper’s name? What is that plane on the front decal?

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From what I’ve read, it’s a Boeing B-314 Clipper:

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By Boeing Aircraft [Public domain], via Wikimedia Commons

The Boeing B-314 Clipper was a long-range flying boat made between 1938 and 1941 for Pan American Airways. It was one of the largest aircraft of the time.

Pan Am’s Clippers were outfitted for luxury air travel and long transoceanic flights.  In 1940, Pan Am’s flight from San Francisco to Honolulu was 19 hours. With seats that could be converted into beds, a lounge and dining area, galleys crewed by fine chefs, and service by white-coated stewards, this was the height of dee-luxe travel. A cross-section of the Clipper shows that this was no modern economy coach experience.

Traveling in this fashion wasn’t cheap.  A one-way ticket circa 1940 from San Francisco to Hong Kong was listed as $760 (or $1,368 round-trip).  In 2015 dollars, that’s $12,866.64 one-way and $23,159.95 round-trip (per Bureau of Labor Statistics CPI Inflation Calculator)

During World War II, the Clipper fleet was pressed into military service, transporting personnel and equipment during the war.

The last Pan Am 314 was retired in 1946, the same year that this little S-C Clipper was made.

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The name Clipper brought to mind style and adventure.  I don’t know whether Pan Am or Boeing had an agreement with Smith-Corona for use of the name Clipper; perhaps it was some kind of cross-promotion arrangement. It’s a little strange.  It would be like having a Dell computer called the Concorde with a little Concorde jet on it.

Here’s a short Pan Am clip from the 1950s looking back on the Clipper’s history:

Here is another video which has good interior shots of the Clipper (though I find the watermark a little distracting):

Check out more pictures of the B-314 Clipper »

I returned the beautiful little Smith-Corona Clipper to Moe’s shop with attached care and feeding instructions (don’t use WD-40 inside your typewriter, what to do about ribbons, yadda yadda yadda, and links to important places like The Classic Typewriter Page, Typosphere.net, TWDB, Typewriter Facebook group, Typewriter Talk).

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At Moe’s I picked up a vintage light meter for my son who is a Camera Geek.

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Moe had this wonderful bird (crow?) sculpture in the shop.

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I like that thing. The crow is my spirit animal.

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CAW!

The Squatter: Hermes 3000

Last week, I dropped off the cleaned-up Royal KMM at Moe’s shop.

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While I was there, Moe asked me to take a look at a couple new typewriters she had gotten in. One was a S-C Clipper in stinky/dirty condition but fine fettle typing-wise. I told Moe I would take the Clipper home, clean her up, throw in a new ribbon and bring her back.  Some of the key tops are rotated in peculiar directions, so I will try to put them right.

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The other typewriter was displayed precariously (Moe-style) on an unreliable-looking pile of things.

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It was a very nice 1963 Hermes 3000, serial number 3184055

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The case was very dirty, but contained the manual and one brush.

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ACK – that horrible ribbon.  I couldn’t leave it like that.

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I told Moe I would take the Hermes 3000 home for a clean-up and new ribbon.  That would give me chance to play with a Swiss-made typewriter for a little while.

Easier Said than Done – Hermes 3000 Bottom Cover Removal

I brought the 3000 home and did a light cleaning. It didn’t need much. There was a service ticket from 1976 taped inside the ribbon cover.   The Hermes 3000 appears to have spent the last 40 years protected inside its case.

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The machine had some eraser crumbs, so I decided to remove the bottom cover so that I could thoroughly clean the insides.

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First I unscrewed the four feet.  I assumed that the bottom cover would pop right off. No. The back part of the bottom cover pops off easily, but I ended up having to tilt the machine up from the bottom cover like this and sliding it to clear the tabs that hold the space bar in the front of the machine.

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I then took it outside and carefully blew out the dust and eraser crumbs (and stray paper clips).

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I then wiped it down, put it back together and considered the machine.

The Popular Oddball

Seen through my 21st century lens, this machine is pretty funky looking. Is it a “classic” example of mid-century industrial design? I don’t know. I think it was weird then and it is weird now.

To me, the design is smart — it makes the offbeat desirable. Many people (though not all) look at the Hermes 3000 and say, “That’s really weird looking, but I love it”. The Hermes 3000 has an oddball sophistication which may explain its popularity among collectors. It is the second most popular model at Typewriter Database behind the Royal Quiet De Luxe.

Cute As a Bug

It then struck me that the Hermes 3000 reminds me of a VW Beetle. Once I saw it, I couldn’t unsee it.

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The Hermes 3000 even has little bug antennae.

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Not an Hermès bag but an Hermes bug.

I love those squat, plumpy curves.

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Lastly (and serious collectors, don’t hate me for this) the Hermes 3000’s weird bulbosity brings to my feverish mind these things as well:

That’s enough of that. No more peyote for me.

And about that seafoam and mint green color combo: apparently they were very “happening” colors back in the day as seen in:

I think that the Hermes 3000 pulls off an impressive feat: it manages to make the seafoam and mint green combo tasteful and timeless.

The Umbrella that Wasn’t

What I thought was an umbrella printed on the back of the machine is actually a stylized crossbow, a symbol that was used as the Swiss “mark of origin” starting in 1931 (at least according to one source).

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Pronounced Problems

Pronouncing “Hermes” is problematic for me. It is a riddle, wrapped in a mystery, inside an enigma. I cannot bring myself to pronounce Hermes as “her-meez”. It’s way too close to “herpes”.

Old-timey Hermès machines (such as this 1923 Hermès 2 in Typewriter Database have decals that show an è in the name “Hermès” leading me to assume that it is pronounced “Air-mez”, like the luxury brand.

When did Hermes lose l’accent grave on the second e? Sometime after the Hermès 3 apparently.

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Without the accent, I suppose that the pronunciation should be “Airm”. I will have to check that with my French-speaking Swiss friend Sophie and confirm. Maybe they do things differently in Switzerland.  While I await confirmation, I will continue to call this an “Hermès Trois Mille (Air-mez Trwa Meel)” because I took French in high school.

So how does it type? I can’t touch-type (I must have been absent the day they taught typing at school). I hunt and peck very fast and really slam the keys, so the “mushy” feel of the Hermes 3000 that many people complain about makes no difference to me. My professional opinion: it’s a really good typewriter.

The Squatty Squatter: When Typewriters Won’t Go Home

After the clean-up, the Hermes 3000 took up residence in an unused back bedroom. The darn thing would not go home to Moe’s shop.  The Hermes 3000 kept looking at me solemnly with its bulging minty-green eyes.  “Good gravy, 3000! Go home to Moe’s”, I said. Oh my goodness, it WINKED at me.

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So now I have a squatter in my home. I gave Moe a bunch of money and resigned myself to the fact that I have a new face in the house. It’s not the worst thing in the world.

A Royal Visitor

I temporarily fostered a Royal KMM from Moe’s shop – it cleaned up nicely. I blew out the insides, doused the internal mechanics with mineral spirits and repeated the blowout.  I then lubricated the sticky rails and the tab system with a little PB B’laster and scrubbed the outside with Scrubbing Bubbles.  Lastly, I threw a new ribbon in her.

Continue reading

Special Love: My Baby Blue

While I was out of town at the holiday wintering grounds with my herd, Moe from my favorite junk shop called and left a message: could I please come to her shop and take a look at a typewriter?

When I got back into town, I dropped by Moe’s. She had sweet little baby blue Royal Quiet De Luxe that a lady wanted to buy for her daughter, but it was all “jammed”.

The carriage lock was engaged.  I unlocked it and all was well.

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I remember when this typewriter had come in – before Thanksgiving it was. The carriage lock was engaged then, and I unlocked it so that people could test typing on it. I guess someone locked it again.

The typewriter was very dirty and needed a new ribbon, so I asked Moe if I could bring it home and clean it up.  Of course, yes.

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The serial number is AB3175632 which would make this a 1956 Royal QDL.

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I brought the typewriter home and looked it over.  I washed the outside down with soapy water and used my new favorite dollar-store degreaser on tough grimy areas, LA’s Totally Awesome.

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The blender photobombs AGAIN

The key tops had a resistant gray and white film that took a lot of scrubbing with green ScotchBrite to remove. I was careful around the printed letters.

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The machine had chunks of greasy lint hanging from its insides. I first blew out the machine with compressed air and then doused all the internal mechanics with mineral spirits and then blew wet, dirty chunks out with more compressed air. I don’t usually use mineral spirits, but I wanted to use something that wouldn’t evaporate quickly.

While I scrubbed the type, I noticed that the typeface was something a little different. I couldn’t wait to throw a new ribbon in and see what printed out.

What typeface is this? Herald Pica?

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I fell in love a little with this Royal portable. The machine seemed just keen to please and was so pleasurable to type on.

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After the clean up, I took the Royal QDL back to Moe’s. Moe’s shop was its usual jumble of fascinating objects perched in precarious positions. There was a new arrival, a golden Olympia Monica, hanging out on a couch in the shop.

The Monica was beautiful shade of yellow/gold.  I took a closer look:

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Someone will sit on it if you leave it here, Moe.

It worked great. German keyboard. The label says that was made in the United Kingdom:

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Hmm. The serial number is 5693315. I will go back and take some more (less blurry) pictures and add it to the TWDB.

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I poked around in the Olympia for bit, but then it was time to leave. It was with a reluctant heart that I left the baby blue QDL at Moe’s, but I was grateful for the experience of it. I had scrubbed the carry case and attached care and feeding instructions.

Goodbye, Baby Blue.

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Time for a sing-along:

https://youtu.be/C53QAuOoSgc

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Christmas Spice

Like caribou, our herd made the eastern migration this winter holiday.  Fortunately, there was no calving en route.

Slow-moving ruminants, we crossed the Great Plains with a special case:

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I was nervous as we brought it through the TSA checkpoint.  I wasn’t sure what sort of hoops I might have to jump through.  It went through the x-ray machine with no raised eyebrows. I was weirdly disappointed that they did not even open the case.

On the airplane, the case fit perfectly under the seat in front of me.

We joined the rest of the herd in the eastern wintering grounds and grazed to fill our calorie-depleted bellies.

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On Christmas morning, my mother-in-law (MIL) opened the case I had hauled cross country to find…beautiful Posh Spice, the 1938 Corona Sterling.

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My MIL gave me a beautiful glass typewriter ornament from Poland.  It is a mythological creature, a cross between a Continental and a Royal with the magical powers of supernatural snappiness:

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My MIL is a superb typist. She has been looking for a typewriter for light correspondence and envelopes and asked me my opinion of this typewriter.

I knew that I could find a better typewriter for her.

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Frankly, I have never gotten along with Posh. She’s the Queen Bee in our house, and all the other junkers felt plain uncomfortable around her.

Please don’t think that gifting Posh Spice to my MIL means I don’t love my MIL.  It means I believe that my MIL will be the perfect wrangler for this typewriter.

My mother-in-law is 100% alpha – she can put Posh in her place. Posh will start with her tiresome, “My mother raised me to be admired…” routine and my MIL will silence her with one withering look and put her to work.

After gifting, we spent a busy day cooking a traditional Cuban Christmas dinner: roasted pork, black beans, rice, yucca, plantains, pineapple salad and flan.

A Christmas Memory

The next day, my MIL and I pulled out Posh Spice and typed out a post-mortem of the previous day’s food and activities, critically evaluating the menu and suggesting changes for next year’s dinner.

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Small woodland creatures emerged to try their hand on Posh Spice:

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My own mother enjoyed typing up documentation of her cooking experiments. She used a lovely narrative style in her recipes. Here are my mother’s tamale notes from 1983:

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My mother did not stint on the lard in her tamales. Her tiny tamales were about the size of a fat cigar and absolutely delicious.  I may make a tribute tamale batch for family and friends to celebrate the new year.

Wishing all of you the very best in food and typing in 2016!

A Tropical Breeze: Voss Bel Air

Here’s a quick recap: about a month ago, I bought a Voss De Luxe in terrible cosmetic condition but in good mechanical condition.  My daughter had requested a “project” typewriter that we could paint.

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No regrets

I wanted a machine that I wouldn’t feel guilty about repainting.

I sandblasted the lower shell of the machine at a local community workshop called TechShop:

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Also at TechShop, I powder coated the lower shell in a color my daughter picked out: Tropical Breeze.

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The result: a typewriter with a strong resemblance to a 1957 Chevy Bel Air:

By GTHO (Own work) [CC BY-SA 4.0], via Wikimedia Commons

By GTHO (Own work) [CC BY-SA 4.0], via Wikimedia Commons

The Pearl of the Antilles

Now that it’s all back together, this Voss brings to mind the Yank Tanks of Cuba, those carefully maintained classic American cars that prowl the streets of Havana to this day. My daughter is (mathematically speaking) a quarter Cuban. Her grandfather left Havana around the time this Voss rolled off the assembly line in Wuppertal. Perhaps my daughter’s genes are calling out for the Tropical Breezes of Cuba.

I leave you with the tropical sounds, colors, and cars of Cuba:

 

The Painted Voss

I must admit – I kind of loved the Venus of Wuppertal in her sculptural nudiness.

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I would like to do a painting of this image – it has the grace of an odalisque on a divan. Maybe over Christmas when I have a little time on my hands.

I want to hold onto this pure vision of cool, sculpted elegance because my daughter has chosen the color she wants to paint the lower shell: Tropical Breeze.

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I know. I was hoping for something more…understated, but I did tell her she could pick any color she wanted.  No backsies.

We have decided to keep the cream top and accent pieces since they cleaned up very nicely with soap and degreaser:

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The ribbon cover had a few scrapes, so I pulled out some old paint samples from the storage shed. Lancaster Whitewash and Millington Gold didn’t look good on my walls, but mixed together, they were a nice match for the cream of the ribbon cover, so I did a little touching up.

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There was a large scrape here - this is a good color match.

There was a large deep scrape here – this is a good color match. It needs light sanding and a second coat.

The carriage return arm was bent a little too low and was scraping the ribbon cover.  I removed it from the machine and gently bent it while holding the stem in the vise in the garage.

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After cleaning the internal mechanics and getting it to type smoothly, I put the typewriter back together, re-attaching the paper table, paper bail, platen, knobs, carriage return lever etc.  I had the presence of mind to take detailed photos when I disassembled the typewriter, and there were several points during re-assembly that I referred to the photos (“Does That Thing go over That Thing or under That Thing?”)

Time to Powder Coat

Fortified with pumpkin pie from Thanksgiving, I was ready to take on powder coating.

This is how powder coating works:  you apply electrically-charged powder coat paint to grounded parts and then cure the coated parts in an oven to allow the paint to “flow” and form a tough coating.

  • High voltage is involved when applying the powder coat paint – I would be working with around 25KV. I needed to be careful not to get too close to the part with the tip of the spray gun as that could cause electrical arcing and shock, explosion, fire, and/or apocalypse.
  • High temperatures are involved – I would be baking my parts in a closet-sized oven at temperatures 400°F – 425°F.

I like my leisure-time activities with a dollop of DANGER.

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0 KV to 100 KV

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The oven

Since my paint will cure at 400°F, I preheated my cast aluminum parts for 45 minutes at 425°F. This allowed gasses within the cast parts (which could cause defects in the cured surface) to escape and allowed any grease to burn off. It took a while for that huge oven to warm up.

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While I waited, I wiped my parts down with denatured alcohol and masked off sections I didn’t want painted with special heat-resistant tape. I then threw them in the oven to preheat.  I set up my paint booth with an initial setting of 25KV for voltage and 5 psi for pressure. That seemed to be enough pressure for my paint to flow well. I did a test on a scrap piece of aluminum and coverage seemed good.

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Once the parts finished heating, I hung them in my powder coat booth and did my powder coating. The paint comes out in a powdery mist.  I applied an even layer, keeping my gun more than 6 inches away from the parts to prevent electrical arcing.

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And then I put the parts in the oven to cure at 400°F for 12 minutes.  I nervously opened the oven after 12 minutes and…success!

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No pinholes, no fisheye, no craters!  Just sleek, beautiful, powder-coated parts.

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It may not be my choice of color, but I am so happy with the coverage and the powder coated surface.  I am looking around the house for other items I can powder coat. I have a lot of aqua left over.

This Voss De Luxe is going to look a lot like a 1957 Chevy Bel Air:

By GTHO (Own work) [CC BY-SA 4.0], via Wikimedia Commons

By GTHO (Own work) [CC BY-SA 4.0], via Wikimedia Commons

More Voss pictures to follow.

A Table for All Seasons: A Thanksgiving Tribute

Thanksgiving is right around the corner.  I have made good progress on the Voss, but I haven’t had time to finish it up. I am hosting Thanksgiving and have been busy plucking turkeys and polishing silver.  So here is a quick post of gratitude to my dining room table.

My dining room has very good light. It’s no wonder that everyone in the family gravitates to the dining room table when we work on projects.

Whether it’s a little weekend papier-mâché…

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…or cleaning a work of art…

Cleaning products

…or painting a horse…

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…or repairing a Skyriter and an Axe-FX II…

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…or stripping down a Voss…

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…or hosting Thanksgiving dinner…

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I guess I’ll have to set a place for the Century 10

…you have been there for us, Dining Room Table. Thank you. Here’s a haiku I typed on the Voss De Luxe about you:

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Wishing everyone inside and outside the US a peaceful and relaxing Thanksgiving. Since we have a lot of photographers in the typospherian community, I will close with this beautiful super-long-exposure photo of trees at night that my son recently took. He’s away at college where he is fooling around with cameras and grappling with the big questions such as – In a fight to the death between every American president, who would win and why?  (my money is on Teddy Roosevelt).

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From Stone Age to Space Age: the Blasted Voss

The Voss De Luxe AKA The Venus of Wuppertal AKA Swamp Thing was going to the blasting cabinet at Techshop to remove the lichen-like painted crust from the shell.  But first, we had to get all the painted metal parts off the machine.

The main body casing was easy to remove. There are small clasps inside the shell in the center front and center back.  Once these are undone, the shell splits in half. Nifty. The only sticky part was navigating the ribbon color selector arm on the left half of the casing. I pushed the selector lever toward the back of the machine and shimmied off the left half of the shell with some care.

The paper table and painted metal piece on the paper bail were more challenging.

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I had to remove the platen. First, I removed the platen knobs.  Turning counter-clockwise and holding the platen with hefty pliers, they came off.

Next I had to remove the chrome platen cover plates – two screws on each side.

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I flipped the paper release lever and eased the platen out.

platenOut

I unscrewed the paper table (four screws) and it was off.

part2

I removed a screw on the right holding the paper bail in place and removed the paper bail with its attached metal piece.  I then removed two tiny set screws that held a rod that secured the smaller painted metal piece to the paper bail.

part1

The instructor of my sand blasting and powder coating class said that you should never put greasy parts in the blasting cabinet. It contaminates the blasting media and causes problems for those using the cabinet when the nozzle sprays out greasy gunk instead of clean recirculated media.

I first washed the lower casing parts in warm soapy water to get the worst of the grunge off. I had bought some dollar store degreaser (LA’s Totally Awesome for $1.00) that was recommended in an automotive forum.  I washed the lower shell with it. I  rinsed the shell and then went over the parts with acetone for good measure.

degreaser

The blender (once again) watches with interest from the sidelines.

Degreased, the parts were now ready for the blasting cabinet.

I decided to sand blast just the lower shell halves. Those we are definitely painting.  I haven’t decided whether I will repaint the cover.  It’s in OK shape though it has some scrapes and crazing in the paint. I’d like to retain the original decals, so I may keep the original cream top and cream accent pieces.  If I can get a good match on the cream color, I will sand blast and powder coat just the cover the same cream color and clean the accent pieces with decals thoroughly.

Hello, cabinet, my old friend. I've come to blast with you again.

Hello, cabinet, my old friend. I’ve come to blast with you again.

Here’s what the lower shell pieces looked like before sand blasting.

casing

Here’s the photo after media blasting.

IMG_4965

Very cool – very Area 51

The shell looks decidedly more Space Age now that the crust of centuries has been removed.

It took me 1.5 hours to blast the first half of the lower shell inside and out.  Though it appeared crusty and battered, the hard, baked-on enamel paint was well-adhered.  It was slow going. Unfortunately, there was no pressure regulator on this cabinet. I was using 60-80 grit blasting media, but a little bit more pressure might have sped up the process.

My technique improved and the second half took me about an hour to do. Next time, I will bring ear protection. The compressor and fan are very noisy. I will probably do one more quick pass over the pieces to clean up any residue before I powder coat.

After blasting, I was very careful not to touch the pieces with my bare hands.  Oils from the hands can interfere with powder coated paint adhesion later. Donning gloves, I placed the blasted pieces carefully into a clean plastic box to take home.

IMG_4968

I may run into problems with powder coating the cast aluminum parts.  Cast metals have gasses trapped inside.  When baked to cure after powder coating, outgassing may cause bubbles, “fish-eye”, and pin-holes in the painted surface.  The work-around is to preheat the parts in an oven at a temperature higher than your cure temp for a good long time to allow the parts to outgas. The other issue is that aluminum is notoriously porous and will soak in grease like a sponge.  Pre-heating the part is once again the fix, as it allows the grease to burn off.

I am just so curious to see what kind of results I can get with powder coating.  In the end, I may have to resort to re-blasting the parts and spray painting, but at least I can say, “I tried powder coating”.

I am still carefully cleaning and de-gumming the internal mechanics.  My personal favorite solvent is denatured alcohol. I know other people prefer mineral spirits, but the formulation of denatured alcohol that I use cuts quickly through gum and grease and evaporates almost immediately.  I have to be careful when I use it because it will eat into painted surfaces.

IMG_4964

Mineral spirits is a great degreaser, but the formulation I have takes forever to evaporate.  Sometimes I will clean slugs and segment with mineral spirits and unevaporated droplets will spray everywhere when I test typing. I hate that. Naphtha works pretty good too, but it’s slower to evaporate than denatured alcohol.

We are in a holding pattern until we get the mailed paint samples from the powder coat paint company and decide what we will order. I impatiently await their arrival. I will spend some time with my other project typewriter, the LC Smith No. 8, while I wait for the paint samples.

The Venus of Wuppertal: Voss De Luxe

As if one “project typewriter” weren’t enough, I now have two in the works.

My daughter wanted a project typewriter, and I can deny her nothing.  Her requirements:

  • a portable
  • something we could paint
  • something with a case

My requirements:

  • a solid, high quality typewriter – only the best for my little daughter
  • something interesting that I don’t already own
  • something in terrible cosmetic condition that I wouldn’t feel guilty about repainting

We looked around on eBay even though I’d sworn off eBay.

Initially I was leaning towards a very beat-up Olympia SM3, but then this terrible looking “Sad Face”  Voss De Luxe appeared on my screen.  Yes, that will do nicely. The fact that the main shell is easily removed in two pieces sealed the deal. Also, it had a cursive typeface which my daughter loved.  Me, I am pretty meh about cursive and script typefaces because I am an old crabapple. I find cursive and script hard to read. My fantasy typeface is 6 cpi Gigantica.

Like a Voss
196X Voss De Luxe serial number 231065

The typewriter arrived from the eBay seller intact and I breathed a deep sign of relief. The crusty painted surfaces are in TERRIBLE condition. It has the patina of a Stone Age artifact, as if it had been excavated during an archaeologic dig on the banks of the Rhine.

But did I mention that I like junkers?

Superficial cosmetics aside, this thing can type like a son-of-a-gun.  It’s all stiff and gummy now, but I can tell this one will type very, very well once I clean it up. It has a satisfying, tight little *SNICK* when the escapement engages. The solid and classy mechanics remind me of my Torpedo. The carriage shift feels a little heavy to my sensitive lady hands. If it had basket shift, it would be extra perfect.

The weird tabbing mechanism (you push the tab bar in, not down) was all gummed up and stuck, but just playing with it a bit (without cleaning) loosened it up. It has a very classy tab brake system that gently assists the carriage as it whirls to each set tab point.

Despite being stiff and gummy, the machine seems to be in almost perfect typing condition.  The only issue it had is that the carriage return lever hits the ribbon cover as it rolls by – it sits just a wee bit low.  Perhaps some gentle bending will do the trick? This thing probably took some hard knocks to the head in its lifetime and the case – adorable though it is – is just soft plaid fabric with a broken zipper.

case

The robust aesthetic is growing on me.  This typewriter has solid curves – ample hips like a typewriter fertility goddess. It is the Venus of Wuppertal, recently unearthed – the typewriter of good fortune, good harvest, and plenty.

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That Paleolithic patina

The plan is to remove all the painted casing parts, sand blast them and then powder coat them.

To that end, I attended to a two-hour class on sand blasting and powder coating at Techshop in Redwood City.

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Roomy blasting cabinet

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Our instructor demonstrates powder coating technique

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This is the sand blasting / powder coating sample I did – I am very pleased with the result. The enlargement and bright lighting of the photo makes it look like there is more “orange peel” than there actually is.

So now I am certified to use the equipment and can come in any time and sand blast and powder coat to my heart’s content.

casing

My daughter is thinking about colors. She is young, and her Tasteful Design Modulator is not yet fully matured, so we’ll see where this goes. I would like something understated and classy.  At Prismatic Powders, there are 6,500 colors to choose from. Your suggestions are welcome.

My druthers: I would like to try to match the cream of the cover and repaint just the very beat-up cover and gray lower casing.  It would be nice to preserve the “De Luxe” and “Voss” decals of the paper table and cream back panel.

decal1

decal2

The Handy Manual: Olivetti Studio 42 Typewriter

Roia from Moe’s antique shop asked me to take a look at her friend Geoff’s Olivetti Studio 42. I took the typewriter home with me for a couple days.  All it needed was a good cleaning and a new ribbon. What a looker! It came with an instruction manual (in Danish).

1946 Olivetti Studio 42
Serial Number 595459

Olivetti De Luxe (Studio 42) Instruction Manual

The instruction manual calls this machine a “De Luxe” but the machine looks like the Studio 42s that I see at Typewriter Database. The front of the machine says “Karl Randrup – eneforhandler for Danmark  (Karl Randrup – exclusive distributor for Denmark)”

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Throughout the instruction manual, the utterly serene hands of a woodland nymph display the typewriter functions. Those calm, lovely hands would never splash Wite-Out on the Skrivevalsen.

hand

Download Olivetti Studio 42 Instruction Manual in Danish (8 MB .pdf)
I know, 8MB! I tried to optimize the .pdf file, but it became noticeably less readable.

English Translation of Manual

I translated the manual from Danish to English using Google Translate. It’s very rough and I will update as needed. I do appreciate the straightforward descriptiveness of the Danish words – Papirindførselspladen – paper input plate.

If a native speaker of Danish notices an error in translation, please let me know and I will make a correction.

cover

Instructions for Olivetti De Luxe

Instructions for Olivetti De Luxe

Machine Diagram

diagram2

click image to view larger

CARRYING CASE FOR MACHINE – When one has opened and removed trunk lid, free the machine from the trunk base by turning the securing hooks (1) (see the image in the brochure center) in the direction towards the keyboard. The machine is freed fully by raising the front part and then pulling the machine forward. The carriage is released by turning the carriage lock (2) on the machine’s right side down. FIG. 1.

fig1

FIG. 1

FEED THE PAPER – pass the paper between paper input plate and platen with the left hand and turn the platen knob with the free right hand, after which the paper bail with paper pressure rollers (3) is raised. To correct paper placement, press on paper release (4), and align the paper so that the edges are flush. The paper bail with pressure rollers (3) is lowered, and paper release (4) turned back into normal position, after which the paper is automatically clamped in the desired position. FIG 2. Press the carriage release lever (5) to release the carriage so that it can be brought back to the desired position.

FIG. 2

FIG. 2

MARGIN SETTING – You set the left and right margins by shifting the margin sets (6) on the rack behind paper input plate. The distance between two strokes on the graduated scale corresponds to the space between two words. FIG 3.

FIG. 3

FIG. 3

LINE CHANGING – If starting on a new line, use a left hand finger on the carriage return / line space arm lever (7), and the carriage is passed from left to right, whereby the platen is simultaneously rotated corresponding to the set line spacing and paper moved accordingly up a new line.

LINE SPACING – spacing between lines is determined by the line spacing selector (8) position in relation to the red marks. The De Luxe machine has three line spacings, which is called the line spacing selector (8) with 1, 2 or 3 position. 1 is used by close writing paper sheet (line spacing 5 mm), position 2 corresponds to normal writing distance (7.5 mm), and position 3 is used by writing documents (10 mm). FIG. 4. Position 0 sets roller in coasting. After resetting the line setting button, typed text falls back to the original line.

FIG. 4

FIG. 4

LINE INDENT – The first line of a letter is usually indented as well as the beginnings of  new paragraphs. To do this, press the button (9) at the top left of keyboard with right finger, while at the same time pull the carriage to the right with the left forefinger on the carriage return / line spacing arm lever (7). The carriage will automatically stop 5 letter spaces from the normal left margin and indent the line.

SPACE BAR – To distinguish one word from another, use space bar (10).

CAPITALS – Depressing one of the two shift keys (11) raises the carriage, and this types shifted characters on paper. As soon as you release the keys, the carriage lowers again to the normal position. If you want the carriage to remain in the raised position, press on the small shift lock button (12) just above the left shift key. If you want the carriage then brought back to the normal position, press the left shift key (11). FIG. 5

fig5

FIG. 5

MARGIN RELEASE – Seven letter distances from the right edge, the signal bell calls the writer’s attention to the line’s rapidly approaching end. When the carriage reaches the right edge, typing is blocked. If you still want to write a few letters over the edge, press the key (9) (which before was used for line indent) for margin release. This of course is only possible up to the maximum paper recording width is used.

BACK SPACE KEY – Pressing the key “Back” (13) pulls the carriage one letter space back.

RIBBON COLOR SELECTION – When the  lever (14) is set on “blue”, the typewriter prints from the upper portion of the typewriter ribbon. The “red” setting uses the lower part of the ribbon.

Position “white” means that the ribbon is put out of service (not raised), and the typing occurs without being colored by the ribbon. This is used for stencil writing. FIG. 6

fig6

FIG 6

AUTOMATIC RIBBON SWITCHING
During writing the ink ribbon is wound from one spool to the other.

When the ribbon is wound completely on one spool, direction switching occurs automatically. If you want to change ribbon direction manually, push the switch (15) which switches the direction of spool movement with your fingers.

Pulling switch outward causes movement of the spools in the opposite direction.

ATTACHING NEW RIBBONS –  Raise up the cover of the ribbon. Then wind the ribbon up on the one spool by means of screw (15). Shift carriage to “Capital Letters” and put the ribbon color selector on “red”.  Release the ribbon from the lower hooks (FIG. 7-1)

 

FIG 7-1

FIG 7-1

Allow the ribbon to slide down a bit after (Fig. 7-2), and then release the top hooks (Fig. 7-3). Now remove the screws that secure the spools. Both spools can now be removed. With pointing fingers, press ribbon guides (16) back. Replace the spool with the old ribbon with the new spool and fasten the free ribbon end to the empty spool then spool again; ensure that the ribbon’s red section is down. Secure the spools with spool screws, conduct the ribbon around both the small guide rollers and behind the ribbon fork, the method now is the opposite of that used upon removal. FIG. 8.

FIG 7-2

FIG 7-2

FIG 7-3

FIG 7-3

FIG 8

FIG 8

PLATEN KNOB – This is used when you want to correct a write error or want to write a line spacing that does not match any of the machine’s three line spaces (e.g. of lined paper). Pull out the left knob on platen roller completely. As soon as the paper is in the desired position, release the knob and the roller will lock away again and set to the given line spacing. FIG. 9

FIG 9

FIG. 9

TAB This is used to create tables or for arranging information in columns.
Setting: stop the carriage at the desired point and press the small lever (17)
in the direction of the+” character to set a tab. Do the same procedure to set additional tabs. FIG 5-10.

FIF 10

FIG. 10

USE OF TAB – When one has led carriage to the far right, press the red button (18) down. The carriage moves and stops at the desired tab point where you can write the desired number. Re-pressing of the red button causes the carriage to stop at other set tab options. One should note that the carriage always stops one letter after the point fixed by the lever (17). [ I am unsure of the English translation here – it doesn’t make a lot of sense.  The original Danish is “Man bedes bemærke, at Vognen altid standser eet Bogstav efter det ved Grebet (17) fastsatte Punkt.”  Many thanks to Knud Olav Jensen for clarifying the translation ] In order to make figures of different size in columns use backspace key or space bar.

Example: If you set on a number with three digits and need a number to four digits, press once to backspace key after the carriage is stopped at the desired point. If you want to remove a set tab point, use the red button to reach the tab, then press the small lever (17) in the direction towards the character “–” to remove the tab. Remove all tab settings by pressing tab releaser (19) forwards. FIG 11

FIG 11

FIG 11

LINE RING You put pencil tip into the hole on the alignment triangle just above the ribbon fork on roller. Moving the carriage to the right, you can create horizontal lines; turn the platen to draw vertical lines.

SECURING THE CARRIAGE Ensure that the machine is on small letters“, then set the carriage lock (2) up and allow the carriage slipping until it stops at the designated opening in the carriage rail.

INSTALLATION OF MACHINE IN  CARRY CASE – After having loaded the carry case and checked that the securing hooks (1) are rotated forward, lift the machine with both hands so that the two on the machine’s rear feet slide into the corresponding holes in the carry case base, then it shall ensure that the machine is secured by its four rubber feet stands in the corresponding holes in the trunk bottom. Use thumbs to press the securing hooks (1) backwards until you feel that the securing hooks are locked. The placement of the case lid is carried out very easily. One just needs to make sure that the lock really locks the machine.

CLEANING THE MACHINE – An easy cleaning can very well be done by the customers themselves, since the type face is cleaned with the included brush and machine swept with the supplied brush. For a thorough cleaning and lubrication of the machine, however, we would counsel you to let us do this for you, as this is done for an affordable price. If the machine is used heavily, it will certainly be worthwhile for you to draw a cleaning subscription, which means that the machine with regular usage is thoroughly cleaned and inspected in our workshop for a specified affordable price.

 

Ye Olde Twins: L.C. Smith No. 8 Typewriters

I have the strange feeling that I seen one of these before…

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Oh, yes! This reminds me of my L.C. Smith No. 8 with smoking hot ball bearing action that I brought home in honor of Typewriter Day last June.

Cleaned up nicely

This one cleaned up nicely

Moe at the shop had an L.C. Smith No. 8 that had recently arrived.  It was in bad shape, so she let me take it home with me for a few days of typewriter spa treatment – draw strap repair, massage, waxing, hot yoga, and more.

I love these ginormous old cast iron standards. I love to watch their weird old innards through the open frames as they type. They are exposed and accessible and super old-timey. They remind me of Prohibition and F. Scott Fitzgerald and the Model T and lead paint and cigars and silent pictures – they bring to mind a simpler time in B&W.

I think Moe’s No. 8 is a 1922 just like mine! My No. 8’s serial number is #460128-8 and the No. 8 from Moe’s has a serial number of #446440-8.

Moe’s No. 8 is in terrible shape.

The draw strap was snapped and mainspring felt stiff and rusty.

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Rusty rusty rusty guts. Fortunately, my tetanus shot is up-to-date.

I first blew out cobwebs and dust with the DataVac Duster:

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I found the requisite stray object in the machine guts:

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It’s part of a paint brush.

Ball bearings at all frictional points

Now this is sad: the letter “F” typebar is broken! I popped it out to examine it more closely. I can see the tiny ball bearings inside the typebar – amazing!

ball bearings in typebar

“Ball Bearing – Long Wearing”

Robert Messenger has a great post on a rebuilt L.C. Smith No. 8, and you can read all about those amazing L.C. Smith ball bearings.

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I am sad to see that this typebar has broken from its attachment to the segment.

This poor old thing has a lot problems, some serious, some not:

  1. broken draw strap – that’s OK, I fixed that right off the bat
  2. broken “F” typebar – that’s NOT OK
  3. flattened and frozen feed rollers – blug
  4. rusted ribbon feed mechanism on right side – meh
  5. no dinging bell and dangling spring in back – meh
  6. broken ribbon spool – meh
  7. shifting sluggish and lacking bounce – meh
  8. ribbon color selector key lever frozen with rust – meh

A seed of a thought began to grow and take shape in my brain.  Slowly, slowly the wheels began to turn and gain momentum. In yet another metaphor, my feverish thoughts caught fire!

What if…I make this a project machine? This typewriter is so bad that there is no way, no how that I could do this typewriter justice in just two days.  Sure, I could get it to type, but couldn’t it be better?

I could give Moe my functional L.C. Smith No. 8 and I take this poor decrepit hunk of rusty iron and make it mine. I could take it apart and clean it properly. I could go to the blasting cabinet at Tech Shop, strip it, re-paint it, and finally get to play with those wonderful typewriter decals I hear so much about.

I put both typewriters into the trunk of my car and went to Moe’s to pitch the idea.

trunk

Moe was all for a typewriter swap – especially since my L.C. Smith looks good and types better. I was trading the looks and performance of one typewriter for the fun and entertainment of the other.

I felt a strange little tug when I left my L.C. Smith at Moe’s.  I sent the No. 8 out with care and feeding instructions as well as the cigar cutter I had found inside her.

mozos2

As soon as I got home I started stripping down the other machine. I removed the side cover plates, front cover plate and key lever comb.

The machine had been badly repainted at some point, and whoever did it had painted over all the screws. I had to soften the paint with paint remover to get the rusty old screws out.  It was a struggle.

Enough of this rust porn – time to get that carriage off.